mise en scene

representation du corps

scenographie

stage direction

Performing arts

perception

recognition

movement

sexuality

dance notation

dance

Culture and Sexuality

Culture and Representation

Dance Study

Humanities & social sciences, Aesthetic practices, Performing Arts Studies

Humanities & social sciences, Aesthetic practices, Dance Studies/Dance History

Humanities & social sciences, Aesthetics and art studies, Culture and Representation

Humanities & social sciences, Aesthetics and art studies, Aesthetics

Humanities & social sciences, Aesthetics and art studies, Skill Science

Apr. 2009 - Present
University of Nihon

Apr. 2003 - Mar. 2009
Associate Professor, College of Economics, Nihon University

Apr. 2001 - Mar. 2003
Lecturer (Full-time), College of Economics, Nihon University

Apr. 1996 - Mar. 1999
Research Fellow of the Japan Society for the Promotion of Science

Apr. 1994 - Mar. 1996
Research Fellow of the Japan Society for the Promotion of Science

1996
The University of Tokyo, Graduate School, Division of General Culture, Culture and Representation

1991
The University of Tokyo, Faculty of Liberal Arts, 教養・フランス科

1988
Hokkaido University, Faculty of Literature, English and English/American Literature

Bold New Productions or Familiar Classics? : Rethinking Management of the Repertoire in Public Theaters
Shizuka YASUDA
Proceedings of International Conference on Business Management 2016, Aug. 2016, Refereed, Not invited
Lead

Is Paris Opera still a Public Theater "for Every One"? — Ticket Price Transitions and the Management of This Theater from 2009 to Today
Shizuka Therese YASUDA
Proceedings of International Conference on Business Management, Aug. 2015, Refereed, Not invited
Lead

Management of Public Theater in France: Eminent Directors of Opera de Paris and its transition from the 19th Century until Today
Shizuka Thérèse YASUDA
ICBM2014: International Conference on Business Management 2014, Aug. 2014, Refereed, Invited
Lead

Management of Public Theatres in Germany: An Overview on Cultural Economics and Cultural Politics Studies in Japan
安田 靜
研究紀要, Jan. 2014, Refereed, Not invited

カトリック教会の性的虐待諸事件と芸術諸分野に見られるその表象について
YASUDA; Shizuka Therese
日本大学経済学部研究紀要, Jul. 2013, Not refereed, Not invited
Lead

Recent Tendencies of Dance in Europe: "Tanzmesse" in Düsseldorf and New Theatre Season in Paris
安田 静
日本大学経済学部研究紀要, Oct. 2012, Not refereed, Not invited
Lead

Nouvelle Danse en France
Shizuka Therese YASUDA
Research Bulletin (Liberal Arts), Nihon University College of Economics, Jul. 2012, Not refereed, Not invited
Lead

"Opera for Everyone":Dress Code Changes in the Paris Opera
安田 靜
日本大学経済学部研究紀要, Oct. 2011, Not refereed, Not invited
Lead

舞踊の稽古場における鏡とボディ・イメージ形成に関わる諸問題について —— パリ・オペラ座バレエ団レパートリーに見るコンテンポラリー作品を中心として ——
日本大学経済学部研究紀要, Jan. 2011, Not refereed, Not invited
Lead

パリ・オペラ座のダンサーとその観客： 19 世紀の特権的アボネの「踊り子」から20 世紀の「芸術家」へ
日本大学経済学部研究紀要, Oct. 2010, Not refereed, Not invited
Lead

ジョン・ノイマイヤーのバレエ『欲望という名の電車』に見る狂気と禁じられた恋の表象
安田靜
日本大学経済学部研究紀要, Jan. 2010, Not refereed, Not invited
Lead

“La choregraphie est-elle un art ephemere? -- Angelin Preljocaj, militant de la notation choregraphique et sa reponse”
Shizuka Therese YASUDA
Research Bulletin (Liberal Arts), Nihon University College of Economics, Jul. 2008, Not refereed, Not invited
Lead

When a Dancer Learns Swimming: Swimming Skills Acquisition Referring Ballet Technique
Shizuka Therese YASUDA
Proceedings of International Symposium on Skill Science 2007, ISSS Organizing Committee, Sep. 2007, Refereed, Not invited
Lead

パリジァンが見たアメリカン・バレエ・シアター（１９４０－１９５８）
安田靜
日本大学経済学部研究紀要, Jul. 2007, Not refereed, Not invited
Lead

１９世紀〜２０世紀前半のバレエ作品と音(楽)
安田靜
日本大学経済学部研究紀要, Jan. 2007, Not refereed, Not invited
Lead

セルジュ・リファール，ルドルフ・ヌレエフとパリ・オペラ座
安田靜
日本放送出版協会『ＮＨＫスーパーバレエレッスン：パリオペラ座，永遠のエレガンス』, Dec. 2006, Not refereed, Not invited
Lead

ヌレエフ版『白鳥の湖』の秘密
安田靜
日本舞台芸術振興会『パリオペラ座バレエ団2006年日本公演プログラム』, Apr. 2006, Not refereed, Not invited
Lead

Problems of Dance Criticism in Japan: Comparative Studies with Dance Criticism in France
安田靜
Research Bulletin (Liberal Arts), Nihon University College of Economics, Oct. 2005, Refereed, Not invited
Lead

Travail de Jerome Robbins a l'Opera de Paris
Shizuka Therese YASUDA
Research Bulletin (Liberal Arts), Nihon University College of Economics, Apr. 2005, Not refereed, Not invited
Lead

Problematiques de la mise en scene dans le domaine de la danse
Shizuka Therese YASUDA
Research Bulletin (Liberal Arts), The Economic Association of Nihon University, Oct. 2004, Refereed, Not invited
Lead

振付家ルドルフ・ヌレエフの業績：パリ・オペラ座バレエ団舞踊監督時代（１９８３－１９８９年）の振付作品について
安田靜
日本大学経済学部研究紀要, Jan. 2004, Refereed, Not invited
Lead

La creation des oeuvres choregraphiques a l'aide de l'informatique
Shizuka Therese YASUDA
Research Bulletin (Liberal Arts), The Economic Association of Nihon University, Jan. 2003, Refereed, Not invited
Lead

１９８０年代フランスの文化政策：ダンスの事例を中心とする日仏の文化観の比較・考察
安田靜
日本大学経済学部研究紀要, Apr. 2002, Refereed, Not invited
Lead

The Possibilities of Contemporary Dance for the Japanese Choreographer and Dancer
Shizuka YASUDA
Japanese Society for Dance Research, 2002, Refereed, Not invited
Lead

The Encounter of Computer Tools and the Art of Dance
Shizuka Therese YASUDA
I.E.E.E. International Workshop on Robot and Human Interactive Communication, 2001, Refereed, Not invited
Lead

The encounter of computer tools and the art of dance: The development of the visual perception by Life Forms and Forsythe's CD-ROM
Shizuka Therese Yasuda
Proceedings - IEEE International Workshop on Robot and Human Interactive Communication, 2001, Refereed, Not invited

The encounter of computer tools and the art of dance: The development of the visual perception by life forms and Forsythe's CD-ROM
ST Yasuda
ROBOT AND HUMAN COMMUNICATION, PROCEEDINGS, 2001, Refereed, Not invited

ピナ・バウシュの〈神経症的身体〉と〈みっともない身体〉
安田靜
東横学園女子短期大学女性文化研究所研究紀要, 2000, Not refereed, Not invited
Lead

フランス〈ダンス・コンタンポレンヌ〉の20年
安田靜
PTパブリックシアター(世田谷パブリックシアター), 2000, Not refereed, Not invited
Lead

A study on Diverse Sexuality Represented in Contemporary Dance Choreography in France
Shizuka YASUDA
World Dance 2000 : Celebration of the Millennium, 2000, Refereed, Not invited
Lead

舞踊記譜の歴史
安田靜
インターコミュニケーション(NTT出版), 1999, Not refereed, Not invited
Lead

身体の記憶とテクスト : 舞台芸術作品の継承とそのメディアについて
安田靜
日本大学経済学部研究紀要, 1998, Refereed, Not invited
Lead

Invisible Turns visible : Forsythe's CD-ROM
Shizuka YASUDA
Proceedings of Society of Dance History Scholars, 1996, Refereed, Not invited
Lead

身体表現芸術とメディア・テクノロジー
安田靜
インターコミュニケーション(NTT出版), 1995, Not refereed, Not invited
Lead

振付とコンピュータ : カニンガムとフォーサイス
安田靜
別冊太陽特集バレエ(平凡社), 1994, Not refereed, Not invited
Lead

書籍紹介：譲原晶子著『バレエはアラベスク』
安田 靜
舞踊學, Dec. 2023, Invited
Lead

Comparative Case Studies on Cultural Politics and Management Concerning Public Cultural Institutions in Japan and Several Other Countries
Shizuka Therese YASUDA; Kazuhiko MURATA; Naoki MURATA; Jun SHIMIZU, Editor, p.17-39, p.41-68, p.133-137, Shizuka Therese YASUDA; Kazuhiko MURATA; Naoki MURATA; Jun SHIMIZU
日本大学経済学部 産業経営研究所, Mar. 2016, Not refereed

History of Ballet and Dance
Sho SUZUKI; Daisuke MUTOH; Tatsuko MORI, Joint work, 213-228, Sho SUZUKI; Daisuke MUTOH; Tatsuko MORI et ali.
Heibonsha, Mar. 2012, Not refereed

全貌フレデリック・ワイズマン
鈴木一誌; 港千尋; 佐々木正人他, Joint work, 271-282, 鈴木一誌,港千尋,佐々木正人他
岩波書店, Aug. 2011, Not refereed

A Sample case of female Audience in Paris Opera: What we can know from abonnés' records
Shizuka Therese YASUDA
HKICEPS, Aug. 2024, Not invited

Nude or Naked: Body Representation on Stage in Contemporary Dance in Japan
Shizuka Therese YASUDA
ICSSH 2020 (The 10th International Conference on Social Science and Humanity), May 2022, Not invited

Serge Lifar: His excellent reform in Paris Opera and his sexuality
ICSHA(=International conference on Social Sciences, Humanities and Arts), Jun. 2021, Not invited

How the Paris Opera was transformed from “the most wonderful seraglio” into a sanctuary of pure art: Jacques Rouché’s key steps to remove male subscribers from backstage
Shizuka Therese YASUDA
ICSSH 2020 (The 9th International Conference on Social Science and Humanity), Sep. 2020, Not invited

Until when did the Paris Opera remain “the most wonderful seraglio”? – Transition in the audience’s gender composition in the late 1930s
Shizuka Therese YASUDA
IMSS(Interdisciplinary practices in Management and Social Science), Jun. 2020, Not invited

Dr. Véron at the Paris Opera (1831-1835): Prominent Director or Leader of Decadence?
ASMSS (Annual Symposium on Management and Social Science), Jul. 2019, Not invited

Opéra de Paris and its Abonnés: The Transition of Privileged Theater-Goers and "their" ballerinas
Shizuka YASUDA
ICBASS (International Conference on Business and Social Science), Mar. 2019, Not invited

〈研究トークイベント〉「ピナ・バウシュとフランス」
安田靜(日本大学教授)× 譲原晶子(千葉商科大学教授)
日仏演劇協会, Mar. 2017, 日仏演劇協会, Not invited

Bold New Productions or Familiar Classics? : Rethinking Management of the Repertoire in Public Theaters
Shizuka YASUDA
ICBM, Aug. 2016, ICBM, Not invited

Is Paris Opera still a Public Theater "for Every One"? — Ticket Price Transitions and the Management of This Theater from 2009 to Today
International Conference on Business Management, Aug. 2015, ICBM, Not invited

Management of Public Theater in France: Eminent Directors of Opera de Paris and its transition from the 19th Century until Today
Shizuka Therese YASUDA
ICBM, Aug. 2014, Not invited

脳内ボディ・イメージと現実の身体動作との乖離をいかにして埋めるか ̶ 舞踊の稽古場における鏡の功罪
日本イメージ心理学会, Aug. 2010

マスターズ・スイマー向けフォームのコーチングにおいて故障を極力回避するための解剖学的知見について
人工知能学会, Jun. 2010, Not invited

クラシック・バレエにおける 骨盤のアラインメントについて ――直立時のアラインメントと 重力情報に依拠せず行うコントロール――
安田靜
舞踊学会, Dec. 2007, Not invited

When a Dancer Learns Swimming: Swimming Skills Acquisition Referring Ballet Technique
Shizuka Therese YASUDA
Proseedings of International Symposium on Skill Science 2007, ISSS Organizing Committee, Sep. 2007, Not invited

To be Influential or not to be Influential: Criticism in Japan and in France
Shizuka Therese YASUDA
Asia Pacific International Dance Conference: "Global and Local: Dance in Performance", Jul. 2005, Not invited

ピナ・バウシュとフォーサイスの「作品」は継承可能か --ダンスの生成過程と「作品」を成立させるための諸要件について
安田靜
舞踊学会, Dec. 2004, Not invited

Sur l'identite des oeuvres choregraphiques et le probleme de leur transmission
Shizuka Therese YASUDA
XVI International Congress of Aesthetics, Jul. 2004, Not invited

Nouvelle Version du Lac des Cygnes (1984) par Rudolf Noureev
Shizuka Therese YASUDA
IFTR / FIRT Annual Conference, May 2004, Not invited

Body as Medium : Mechanism of Memory and Perception in the Field of Dance
The International Meeting for Study of the Performing Arts, 1998, Not invited

La Société Franco-Japonaise du Théâtre

Japanese Society for Dance Research

The Japanese Society for Aesthetics

舞踊史学会(Society of Dance History Scholars)

ヨーロッパダンス史学会(Association Europeenne des Historiens de la Danse)

舞踊学会

美学会

International Association for Aesthetics

International Federation for Theatre Research

The Japanese Society for Artificial Intelligence

欧州における歌劇場文化の担い手の変遷と芸術作品受容の変化について
日本大学経済学部, グローバル社会文化研究センター 研究プロジェクト, Apr. 2020 - Mar. 2022
研究代表者:安田 靜; 研究分担者:森脇 優紀

舞踊の「芸術化」までの実証的検証：日仏伝統舞踊の性風俗からの分離
日本学術振興会, 基盤研究(B), Apr. 2018 - Mar. 2021
研究代表者:安田 靜; 研究分担者:武藤 大祐

文化政策と公共文化施設のマネージメントに関する国際比較
Nihon University College of Economics, 産業経営研究所 研究プロジェクト, Apr. 2013 - Mar. 2015
研究代表者:安田 靜; 研究分担者:村田 和彦、村田 直樹、清水 純

上演文化に関する「芸術化」の国際比較研究：商品及び労働者としての演者を巡る諸問題
日本学術振興会, 科学研究費助成事業, 01 Apr. 2023 - 31 Mar. 2026
安田 靜; 武藤 大祐; 吉田 寛; 古後 奈緒子; 山田 小夜歌; 垣沼 絢子

日本及び欧米諸国における舞台芸術の身体表象とその演出について
日本学術振興会, 科学研究費助成事業, 2002 - 2004
安田 静

Ballet History
日本学術振興会, 1996 - 1998

Ballet History
日本学術振興会, Grant-in-Aid for JSPS Fellows, Apr. 1994 - Mar. 1996

IRCAM ジャン・ロシャールによるコンピュータ音楽ワークショップ （仏→日，日→仏通訳）
Dec. 2019 - Dec. 2019

Comuputer Music Workshops by Mikhail Malt / IRCAM
23 Apr. 2019 - 23 Apr. 2019

Masterclass of Composition & CAC by Grégoire LorieuxInterpreter: Shizuka YASUDA (Day 1 - 3: Lecture)
30 Oct. 2017 - 30 Oct. 2017

IRCAM／J.M.フェルナンデスによるコンピュータ音楽ワークショップ（仏→日，日→仏通訳）
11 Oct. 2016 - 11 Oct. 2016

シアター・トーク（公開インタビュー）「振付家アンジュラン・プレルジョカージュを迎えて」
07 Nov. 2003 - 07 Nov. 2003